Salvador Marino (b. 1985, Argentina) is a Doctor in Biology and a transdisciplinary artist at the intersection of art, science, and technology. His work focuses on interactive art, sculpture, performance, and direction, aiming to critique the hegemonic systems that shape our perceptions of life, nature, technology, and the body.
Marino’s practice explores the boundaries between organic and inorganic systems, creating speculative narratives that reimagine evolutionary processes and hybrid forms of existence. Through these investigations, he questions the cultural and political mechanisms that produce normative ideas of nature, environment, and identity.
In 2017 co-founded Post-Organic Bauplan, a collaborative project founded with the dancer and performance artist Josefina Maro. Post-Organic Bauplan works on the development of robotic prostheses to explore, from the movement, and question the practices that condition our bodily perception.
His performances, installations, and interactive works have been presented at HAU Hebbel am Ufer Berlin, Berlin (DE), Hellerau – Europäisches Zentrum der Künste, Dresden (DE), Teatro Nacional D. Maria, Lisbon (PT), LOFFT – DAS THEATER, Leipzig (DE) HALLE 14 (Leipzig), Performance Bienal, Buenos Aires (AR), Museo Nacional Palacio Evita, Córdoba (AR) within other international venues.
